Summer School (I)-2001

Annick Morard

„From an apparent game to exposing a common deception“

Alexandra Vigilianskaya

The topic of creativity in the lyrics of Pasternak and Rilke

Alexey Dmitrenko

Konstantin Vaginov and Vera Lurie

Alexander Kobrinsky

The Jewish sources of Daniel Kharms

Dmitry Bak

„Unity and closeness“: a return to the question of the composition of B. Pasternak’s novel „Doctor Zhivago“

Elena Afonina

The Russian prose cycle: problems and prospects of research

Ekaterina Ryazanova

Fragmentary type of text construction in Russian literature at the turn of the XIX-XX centuries

Mikhail Ljustrov

The „Amusements“ Peter the great in „Essays and stories from the Russian history of the 18th century“ by M. Semevsky and S. Antimonov's comedy „Peter's amusement“

Maria Malikova

The autobiography of modernism.
Some ways of defining and reading

Maria Reikina

Mikhail Zoshchenko and Russian formalism: to the problem statement

Natalia Nikitina

Boris Pasternak’s later work and the Christian tradition

Olga Mamaeva

Periodicals in Harbin 1918 - 1920s: on the issue of publishing policy

Olga Vladimirova

Poetic translation, transcription and imitation as types of „Secondary text“

Svetlana Nosenko

Alexander Dobrolyubov - the forerunner of symbolism: on the question of the evolution of creativity

Svetlana Chernysheva

Georgy Shengelia and the literary process of the 1920s (on the problem of the poet's self-determination)

Tatiana Bystrova

Marina Tsvetaeva's poem „Alleys“ and the epic „Dobrynya and Marinka“: the main motives and the problem of the finale

Tatyana Kotelnikova

From Goliadkin Dostoevsky to Herman Nabokov: fantastic and real narrative plans