Summer school on the avant-garde (II) -2005

Alexandra Raeva

Primitive and primitivism in the works of H. M. Oleynikov and Soviet poetry of the 1930s

Anna Uryupina

Russian poetry literary traditions of the XVIII century in the works of poets of the Russian diaspora of the 60s - 80s.
(based on the poetry of N. Morshen, I. Elagin, I. Chinnov, Y. Ivaska, D. Bobyshev, etc.)

Victoria Kostyuk

On the edge between the visible and the invisible: „The Poor Knight“ by Elena Guro

Victoria Uzbekova

The image of St. Petersburg in the works of A. Blok, A. Akhmatova, V. Mayakovsky

Daria Sukhovey

The Futuristic Strategy of Ivan Ignatiev (1892-1914)

Evgenia Fedorova

Contradiction as the structure-forming principle of Andrei Bely's „Petersburg“

Kristina Hmyrya

The poetics of Mikhail Zenkevich's book „Wild Porphyry“

Ksenia Zolotareva

Siren, pop, dead man: corresponding images in N. Zabolotsky's „Columns“

Maria Kotova

Unknown Stories by M. Zoshchenko: on the history of the writer's collaboration with satirical magazines

Maria Nechaeva

„Spelling shift“ in Daniil Kharms's Poems for children (classification experience)

Natalia Sarafanova

Traditions of the folk theater in the literature of the Russian Avant-garde of the 1910s and 1930s.

Natalia Fedorova

About synesthesia in the collection of A. M. Dobrolyubov „Natura Naturans. Natura Naturata“

Svetlana Petrova

Features of the composition of the cycle by A. M. Dobrolyubov „Musical paintings“

Julia Gurskaya

The poet's letter: about Marina Tsvetaeva's word-creativity

Julia Minutina

The specifics of D. I. Kharms's „children's“ poems

Julia Myalkina

Tragic circus: the play by D. Kharms „Elizabeth Bam“

Julia Pavelieva

Lyrical heroine of M. Lokhvitskaya: at the crossroads of the traditions of women's poetry of the XIX-XX centuries