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Summer School (VI)-2009
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Alexander Alexandrov
From the history of the creation of the first biography of A. P. Chekhov
Elmira Alexandrova
Gazdanov's „Scoundrels“ in the light of Dostoevsky's heroes
Alesya Atroschenko
Ornamentalism in Sasha Sokolov's novel „Between a Dog and a Wolf“
Alexey Balakin
The „Literary“ Vaudeville of the 1830s and 1840s: Vaudeville as a means of journalistic and literary polemic
Anna Bogoderova
The plot situation of care in Russian literature
of the second half of the XIX century
Alexandra Chaban
Two Gumilyovs: the critic of „Apollo“ and the critic of „Hyperborea“
Alexander Dolinin
From the new commentary on „Mozart and Salieri“
Vladimir Yemelyanov
Did Alexander Ivanovich know the Chaldean language?
(About the sources of A. Tinyakov's poem "Tukultipalesharra I")
Violene Fridley
„Elegies to the Cardinal directions“ by Elena Schwartz
Elena Glukhovskaya
On the Question of Eternal Femininity among Russian Symbolists
(using Ellis's poetry as an example)
Oksana Goloviy
The concept of „neorealism“ in the legacy of Evgeny Zamyatin
Andrey Kostin
From the history of the Radishchev anniversaries (newspaper and archival materials)
Mariya Kotova
On the history of relations between A. Tinyakova and M. Zoshchenko
Oleg Lekmanov
Anna Akhmatova's book of poetry „Evening“ (1912) as a „big form“
Mikhail Ljustrov
The theme of heroic death in Russian and Swedish literature of the Northern War era
Mikhail Mailakh
Philological memoirs
Nikolay Poselyagin
From the history of early Russian structuralism.
At the turning point
Roman Timenchik
From the Nominal index to Akhmatova's „Notebooks“
(to the question of technical problems of commenting)
Alexey Vdovin
To the sources of the fourth chapter of V. Nabokov's „Gift“
Olga Velaviciute
Strategies of Anastasia Tsvetaeva's secondary debut and their consequences
Daria Khokhel
A. Tufanov's concept of moving sound
Alexander Zholkovsky
„A silver dime in the pocket“
Kirill Zubkov
The story of one plot: on the problem of N. V. Uspensky's Literary Reputation
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