Conspiracies from „The and Quiet Flows the Don“ and a collection of magical texts from Kargapolya
Anna Gladysheva
Autobiography in V. Kaverin's novella „The Draft of a Man“
Alexander Zholkovsky
Stylistic roots of „Palisandriya“
Alexander Kobrinsky
Again about the intertextual and linguistic game in the „The Petty Demon“ or at what stage should we stop the analysis?
Andrey Muzhdaba
Gennady Gore's „Intervention of Painting“: a caricature or a self-portrait?
Alexandra Chaban
<The nervous Poet> In the Basement
Anna Shkapa
On the problem of genre determination of the ancient Russian monument „The Passion of Christ“
Vadim Aristov
About the alleged protographer of the initial part of the list of princes „Kto koliko knyazhil“
Vladimir Emel'yanov
Bunin as the translator of „Gilgamesh“
Dmitrii Bresler
K.K. Vaginov's novel „The Works and Days of Svistonov“: the poetics of the title
Ekaterina Abashkina
Absurdity as a key characteristic of the world in the cycle of short stories by L. Goralik „Speaks“
Elena Glukhovskaya
Ellis on the „Notes of a Widower“ by P. Verlaine Preface, publication and comments
Ekaterina Zelenkova
„Centrifuge“ and „Liren“: on the history of relationships
Ekaterina Lyamina
Mavr[(ush(k)]a (From the comment to the „House in Kolomna“)
Elena Shkapa
On the question of the typology of Christmas stories by N. S. Leskov
Kristina Sarycheva
I. F. Annensky's poem „Ghosts“: on the question of the subtext
Mikhail Ljustrov
Danish Hero Kings and Tyrant Kings in Scandinavian and Russian writings of the XVIII century
Maria Naimushina
Symbolists and Acmeists in poetry and criticism by I.A. Oxenov 1915-1922: towards the formulation of the problem
Marina Pantina
The question of the place of M. Shishkin's artistic creativity in the series of modern postmodern prose
Olga Makarevich
Imitatio as one of the principles of N.S. Leskov's poetics
Natalia Sochneva
Typology of narratives of princely crimes in the Laurentian and Ipatiev Chronicles
Polina Vlastovskaya
The figurative system of the novel „The Demons“ by F. M. Dostoevsky in the cycle „It's not the wind in the fields over the broom...“ by E. I. Vasilyeva.
Lada Panova
„In Front of the Mirror“ by Khodasevich: an Italian amalgam
Svetlana Stepina
V. G. Teplyakov's poem „The Recluse“ in the context of Russian poetry of the 1810s and 1830s.
Tatyana Kovaleva
The reader's strategy in the novels of N. V. Gogol
Elizaveta Tarnarutskaya
Fragmentary writing as the Art of Experience in P. Ulitin's novel „A Conversation about Fish“
Julia Dolgikh
The vampire as a character in Russian fantasy literature of the early 19th century
Contacts
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